"For me the Jkd is the horse that leads away silat", so guru Cass Magda defines the scope of his personal philosophy of jeet kune do Indonesian art of combat. This does not mean that techniques are presented as silat evolution of jeet kune do, contrary to the master Cass Magda with filter jkd has organized a program that respects the special features of the method Indonesian, with emphasis on the effectiveness, functionality and the scientific and relegating the most folklore and choreographical to a study cultural necessary to the formation of an instructor.
Students in the American guru, possessing a formation that includes the fencing of arms and legs typical of jeet kune do (ie boxing techniques, low kick, use of knees and elbows, and trapping others, performed in full contact fighting), are able to apply on the silat attacks of all kinds. Only initially, the stage in which it is first necessary to develop a manual and then the application of laws or secret (rhasia) silat, is expected to bring companion fist in the traditional way. Following the senior student is able to tackle an opponent that sferra jab, cross and hook (a technique which usually is not in Indonesian but you can easily meet in a clash on the road with a Western aggressor) and kicked devastating as those of muay thai.
The heart of the system Magda is the method of pentjak silat said bukti negara (not to be confused with the same name almost Balinese style), founded by Paul de pendekar Thouars, great master of style serak.
This system is defined in-fighting, that is fighting a short distance. The bukti negara goes straight to the end, without frills or evasive movements. Its soil is practically ideal body to body, chest to chest, a situation from which you make sweeps, imbalances and projections, the second scientific principles that make mole physical secondary and in which the opponent ends badly on the ground even though knows how to fall. To shorten the distance it overwhelms the opponent with a belenni iâ handful of coups, elbow and knees, grab his arms and feet intrappolano to prepare the projection. Guru Cass sometimes simply concludes the technique of hitting the heel or floating ribs with the forearm area cervical other times he refers to as the complex styles mande muda (West Java), or the harimau (Sumatra), silat gayong ( Malaysia) or seti-hati terate (Central Java). Therefore, this method sweeps throughout the colourful world of silat without losing sight of the function and the principle on which they are based techniques extrapolated from various styles.
For more information AKEA (jkd-kali-silat) - M ° Roberto Bonomelli 3392340047, 0226265246 fax, info@akea.it, www.akea.it
Roberto Bonomelli
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(This article was translated by a machine translation software and not by one person)